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The Good Boss is a clever film rather than a really trenchant one, the sly farce just a little too calculated, the pace at moments sluggish. But the affable façade wears thin when Blanco must deal with an executive who’s coming undone at the seams and a recently sacked worker who decides to take the time-honoured Disgruntled Former Employee routine to new limits.Īnd of course, this respectable family man also has a predatory eye on his new intern ( Almudena Amor), who’s not nearly the ingénue she looks. He’s first seen smilingly announcing to his staff that the enterprise is up for a major award, giving them an all-hands-on-deck pep talk and reminding them that he’s more a friend than a boss. In this black comedy by Fernando León de Aranoa, Bardem, benign-looking in casual jackets and jumpers, plays Blanco, owner of a factory that makes scales. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. The movie has won 2016 Golden Globe awards for Best Picture, Best Actor (DiCaprio) and Best Director (Iñárritu). ORDER NOW: Wilco are on the cover of the latest issue of Uncut The Revenant is a major New Regency and 20 th Century Fox movie starring Leonardo DiCaprio, as Hugh Glass, and directed by Alejandro González Iñárritu, the Academy Award winning director of Birdman in 2015.
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Yet that’s altogether what he is in new Spanish feature The Good Boss – although his character is as sinister as uncle figures get. After leaving jail, Darnell finds herself broke. But the film has a definite elegance not least, in. Wealthy CEO Michelle Darnell (Melissa McCarthy) always gets her way, until she's busted for insider trading and sent to federal prison. Given how all-out sinister Javier Bardem has been in some of his best-known roles – the merciless killer in No Country For Old Men, 007’s suave nemesis in Skyfall – you can’t easily imagine him being avuncular. The Good Boss is a clever film rather than a really trenchant one, the sly farce just a little too calculated, the pace at moments sluggish.